Sharing the Thrill
CONNIE CROTHERS, piano
By Grego Applegate Edwards
So the “avant tradition” is with us. And now we can revel in something new and worthwhile in pianist Connie Crothers and poet Paula Hackett on their album Sharing the Thrill (New Artists 1055)
As I write these lines the NY “Blizzard of 2015” is in progress, or perhaps it has fizzled out? The pristine snowfall blanketed outside and my self relentlessly prevailing in my semi-heated living space gives me a suitable backdrop to rehear the album as I ponder its qualities.
Paula Hackett has a vision of the today we dwell in. She offers us tributes to Max Roach and Billie Holiday, her personal experiences in life with her brother, relationships willy nilly fated or ill-fated, being stereotyped as an artist with negative connotations, the Kafkaesque experience of institutionalization, of “chokeholds” and other injustices and repressions. All of it has relevance to us today and is expressed with a matter-of-fact poetic immediacy that lends itself to avant jazz collaboration.
So Paula gives us her narrative poetics in conjunction with the vibrantly alive piano improvisations of Connie Crothers. I’ve said much on her in these pages. Suffice to say that the miniaturist contexts of the fairly short verbal poetics puts Connie in a briefer mode than usual. She rises to the occasion with gems of spontaneity that go exceptionally well with the poems. There is outness, bluesiness, roots and all kinds of inventiveness to be heard.
And so we have a full CD of stories, outbursts or protest, work-pictures of the angst of exxistence, and of hope, togetherness, being.
This is an adventure that works well because Paula has much to say, says it beautifully, and Connie responds in kind with her special later-period brilliance and essence.
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