CONCERT AT COOPER UNION
Connie Crothers,
solo piano, NA1002
By John Sutherland
Connie Crothers' 1984 solo concert is a totally different experience. From the opening piece, Carol's Dream, dedicated to Carol Tristano, the pianist's powerful two-handed style, percussive and explorative, is evident. In her treatment of standards, initial melodic lines are soon dispersed in heavy chordal patterning (All the Things You Are), in fragments of melody (You'd Be So Nice to Come Home to), or into a Cecil Taylor other-worldliness (What is this Thing Called Love). Yet with the Rodgers-Hart I Didn't Know what Time It Was, her sudden descent to a crystal-toned delicacy permits the lyrical aspects to blossom with
awe-inspiring beauty. Her closing Trilogy is a study in mood shifts, ranging from deep foreboding to a spirited explosion of joy. There is a deliberate perversity, a controlled angularity, an intellectual intensity about everything she plays; if she swings, it's to her own inner sense of rhythm. All this can both challenge and fascinate the listener. It takes us a long way from a McShann or a Grappelli. But then jazz isn't a traveller with the past strapped firmly to its back. It seeks new vistas, new means of expressing its response to such changes. That's what makes it so interesting and rewarding.
CODA Magazine, November 1, 1992
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